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Not classified 268

Piano & keyboards
Piano solo 77
Piano Accompaniment 11
Piano, Vocal and Guitar 5
C Instruments 3
Easy Piano 2

Accordion 1

+ 1 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 1
Guitar notes and tablatures 1

Voice
Choral SATB 3

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Clarinet and Piano 391
Clarinet 244
Flute, Oboe, Clarinet, Bassoon 129
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 74
Clarinet Quartet: 4 clarinets 35

2 Clarinets (duet) 33
2 Saxophones (duet) 20
Flute, Clarinet (duet) 11
Clarinet Quintet: 5 clarinets 11
Saxophone, Clarinet (duet) 9
Clarinet, Trumpet (duet) 8
Clarinet Ensemble 8
3 Clarinets (trio) 7
Saxophone (band part) 7
Clarinet, Violin (duet) 6
Clarinet, Bassoon (duet) 6
Clarinet, Cello (duet) 5
Tenor Saxophone and Piano 5
2 Oboes (duet) 4
Clarinet, Cello, Piano (trio) 4
Oboe, Clarinet (duet) 4
2 Flutes (duet) 4
Oboe, Piano (duet) 4
Clarinet (band part) 4
Flute and Piano 4
Flute, Trumpet (duet) 3
Clarinet, Harp (duet) 3
Flute, Saxophone (duet) 3
Alto Saxophone 3
Clarinet and Viola 3
Flute, Clarinet, Piano (trio) 3
2 Clarinets, Piano 3
Saxophone Quartet: 4 saxophones 2
Flute, Violin 2
Oboe, Bassoon (duet) 2
Flute, Clarinet, Horn and Bassoon (Quartet) 2
Flute 2
Oboe, Flute 2
Soprano Saxophone and Piano 1
Alto Saxophone and Piano 1
Oboe (band part) 1
Recorder 1
2 English horns and Pianoforte 1
Clarinette, Viola and Piano (trio) 1
Flute, Clarinet and Bassoon. 1
Flute ensemble 1
Baritone Saxophone, Piano 1
Wind ensemble 1
Clarinet, Bassoon, Piano (trio) 1
English horn, Piano 1
Clarinet, Guitar (duet) 1

+ 46 instrumentations

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Woodbrass
Trumpet, Saxophone (duet) 6
2 Trumpets (duet) 5
2 Trombones (duet) 4
Trumpet, Trombone (duet) 4
Trumpet 3

Trombone and Piano 3
Trumpet, Piano 2
Euphonium, Piano (duet) 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

French horn 1
Bb Instruments 1
2 French horns (duet) 1
2 English horns and Pianoforte 1
3 French horns (trio) 1
English horn, Piano 1
Trombone 1

+ 11 instrumentations

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Cello, Piano 4
Harp 4
2 Violas (duet) 4
2 Violins (duet) 4
2 Cellos (duet) 4

Doublebass (band part) 3
Violin, Cello (duet) 3
Violin, Viola (duet) 2
String Quartet: 2 violins, viola, cello 2
Violin and Piano 1
Violin 1
Violin, Clarinet, Piano (trio) 1
Cello (band part) 1

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Percussion & orchestra
Concert band 40
Orchestra 14
Chamber Orchestra 9
Jazz Ensemble 2
Brass ensemble 2

Jazz combo 1
String Orchestra 1
Marching band 1
Xylophone 1

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Brass Quintet: 2 trumpets, horn, trombone, tuba

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The Brass Player: Fantasy on Ich bin ein Musikant

The Brass Player: Fantasy on Ich bin ein Musikant #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #F #The Brass Player: Fantasy on I #Sweetwater Brass Press #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802). A song learned in primary school years and years ago had words something along the lines of the following: Oh! I’m a young musician, From distant lands I come. Singing and playing, Ever I’m straying. Also known as “I Am a Fine Musician,” “I Am a Gay Musician” and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.” That translates as “I am a musician.” In the lyrics the musician claims to be “from Schwabenland” (Swabia) and to play geige (violin: “Dide schum schum schum”), flöte (flute: “Päde wäpp päpp päpp”) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of. Anyway, that’s the tune on which “The Brass Player” was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece. “The Brass Player” comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two. The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone. In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time. Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant” and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement. This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$6.99 ≈ 6.52€

C Jam Blues for Brass Quintet

C Jam Blues for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Keith Terrett #Keith Terrett #Bb Trombone/Euphonium in TC #C Jam Blues for Brass Quintet #Keith Terrett #SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...(+)

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.”The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session” the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam” Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues” was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues” was one of his nightly features with Satch’s ensemble along with “Tea for Two.” Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,” etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,” featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

$12.99 ≈ 12.12€